SANTERIA = Enlightenment & Transformation…

          ***Santeria Rituals & Experiences !!!Afro-Cuban Religion… 

Of all the New World societies, Cuba received captives from the greatest mix of African origins. They came from all parts of the coast and interior of western Africa. The size, diversity, and continual replenishment of this population allowed a rich array of African-inspired religions to flourish there, even beyond the end of the slave trade. It has long been common to call Cuban Oricha-Worship “Santería” because of the identification of the Orichas with the Saints. However the term is now being rejected by those who think it overemphasizes the Catholic and syncretistic elements. Increasingly, many within the Afro-Caribbean tradition prefer to call it La Regla de Oricha, “the order of the Orichas.

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Afro-Cuban = Dances…

 

**Dance Encompasses All Movement That Expresses or Enhances Spiritual Experiences.**

Afro-Cuban dances occupies central place in cultures throughout the world, embodying energy and a graceful beauty flowing with rhythm. Afro-Cuban dance is connected to Africa’s rich musical traditions. Afro-Cuban dance has a unity of aesthetic and logic that is evident even in the dances within the African Diaspora. To understand this logic, it is essential to look deeper into the elements that are common to the dances in the various cultures from  West Africa & Cuba.

Traditional Afro-Cuban Dances: Ritual dance – Ancestral worship – Ritual dances to connect to the divine Ceremonial dance – Communal dances – Essence of African dance – Modern dance – Dance clubs…

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RUMBA = La Negra Tiene Tumbao…

            El Espiritu De La Rumba: “Pa Ke Tu Me Llama”

African slaves first arrived in Cuba in the 16th century with the early Spanish settlers. Due to the reliance on sugar as an export during the late 18th and early 19th century, great numbers of slaves were brought to work on the sugar plantations. Where large populations of slaves lived, African religion, dance, and drumming were clandestinely preserved from generation to generation.

During the 19th century in Cuba, specifically in urban Havana and Matanzas, people of African descent originally used the word Rumba as a synonym for party. The term Rumbón is frequently used to denote rumba performances in the streets.

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EKPE = ABAKUA: The Voice of The Leopard

                          ***The Sacred Language of the Abakua…

                 “The goat that breaks the drum will pay for it with his hide”

abakua1

Abakuá is an Afro-Cuban men’s initiatory fraternity, or secret society, which originated from fraternal associations in the Cross River region of southeastern Nigeria and southwestern Cameroon. Known generally as Ekpe, Egbo, Ngbe, or Ugbe among the multi-lingual groups in the region, these closed groups all used the leopard as a symbol of masculine prowess in war and political authority in their various communities. The term Ñáñigo has also been used for the organization’s members. The creolized Cuban term Abakuá is thought to refer to the Abakpa area in southeast Nigeria, where the society was active.

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